Psychosis americanis

Recently, president Cluck chose Grand Island, Nebraska as the location for a rally where he became once again momentarily notorious for saying that he really wouldn’t mind it too much if Iran would bomb Los Angeles and San Diego. It would be worth the loss of those two cities and the people in them just to have kept our country safe. (The irony, of course, is that the biggest threat to this country was standing at the podium at the time)

The videos of his performance at that rally have shown the crowd behind him hooting and hollering and clapping for such a … dunno … psychotic? … statement.

Many of the comments that I’ve seen on those video clips have been very disparaging toward Nebraska and its citizens. Some of those comments have made it pretty obvious that the writer had never been to Nebraska, and probably couldn’t even find it on a map. Making a judgment about the entire population of a state based on the sort of people who would attend a Cluck rally is a hazardous thing to do. MAGA doesn’t think and behave like most other people you might know.

I like Nebraska, and I like the people that I’ve met there. I lived there for two years during my time of service in the United States Air Force, when I was stationed at Offutt AFB in Bellevue NE. Later, when Robin and I were living in Yankton, South Dakota, it was only a short drive across a Missouri River bridge to that fine state.

But there’s one part of Nebraska that I have a special affinity for, and that is the western Sandhills. From the first time that I saw them, which was on a motorcycle trip, I have looked forward to every opportunity to go back and revisit them. When you look out at those areas, what you see is an undulating landscape with hills and ridges. Everything is softness. All the gentle curves are soft. Mostly they are grasslands with the occasional tree here and there. If you take a shovel and dig down through the sod, you find only sand. This is because they are essentially a huge area of dunes covering 20,000 square miles that became completely covered and stabilized by grass.

(The next two paragraphs are information found for me by one of my new best friends, Chad GPT. I edited and reshaped the text a bit but it was Chad’s research and I want to give him credit.)

The Nebraska Sandhills formed through a combination of ancient mountain erosion, river deposition, and wind action, followed by grassland stabilization. Millions of years ago, erosion and glacial action in the Rocky Mountains washed huge amounts of sand, gravel, and silt eastward via ancient rivers and streams onto the Great Plains. During and after the Pleistocene Epoch, as the climate grew drier and riverbeds dried up, strong prevailing winds picked up the loose quartz sand and swept it across the landscape.

The wind sculpted the sand into massive rolling dunes—some reaching up to 400 feet high and 20 miles long. As the climate shifted and precipitation increased, native prairie grasses and bunchgrasses colonized the dunes. Their roots anchored the sand, turning the area into the largest grass-stabilized sand dune formation in the Western Hemisphere. The region sits directly on top of the massive Ogallala Aquifer, which brings water close to the surface in low-lying valleys between the dunes, creating thousands of small lakes, wetlands, and wet meadows.

The sandhills roll away toward the sun

Low prehistoric dunes enclosed in grass

So like a woman’s body 

And my eyes stare all indecently

I wrote that short poem back in the 1980s, and you can tell a couple of things by reading it. The first is that I have many things to learn about writing poetry. The second is that my hormones might have been flowing at quite a different level back then than they are at the present time.

The Sandhills are a place perfect for the melancolic. The grandeur, and there is grandeur, is a quiet sort. There’s a saying out there that Nebraska is not for everyone, and that’s certainly true. But if you are one of those people whose disposition is matched to this particular prairie landscape, it’s like that line in a John Denver song, “Coming home to a place you’ve never been before.”

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Tumbling Tumbleweeds, by Leo Kottke

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Here is a slice of what passes for humor in the Midwest. This is a picture of a University of Nebraska football team t-shirt.

Question: What does the “N” stand for?

Answer: Nowledge

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From early childhood I heard renditions of folk songs that originated in the fabled West. One of the lovelier ones was The Colorado Trail. Its themes of loneliness and people left behind seemed a perfect fit to what my imagined life of the cowboy was.

The Colorado Trail is a traditional American cowboy song, collected and published in 1927 byCarl Sandburg in his American Songbag. Sandburg says that he learned the song from Dr. T. L. Chapman, of Duluth, Minnesota, who heard it from a badly injured cowboy being treated in his hospital. The cowboy sang it, and many others, to an audience of patients in his ward.

The trail in the song was a cattle route that branched off from the main Western Trail in southern Oklahoma, heading northwest to Colorado. It has no relation to today’s Colorado Trail, which is a hiking trail completely within the state of Colorado.

The American Songbag version included only a single short verse; most who have recorded it since have added verses of their own.

Wikipedia: The Colorado Trail song

There are scores, maybe hundreds of recorded versions of the song, and although the lyrics vary quite a bit, that wistful chorus remains the same in most of them.

Weep all ye little rains

Wail, winds, wail

All along, along, along the Colorado trail

The Colorado Trail, by Eliza Gilkyson

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My gorge rises a bit every day. As each outrage du jour comes down on us from our elected leaders, there are some I can let slide and some that are more difficult to overlook. Some are special.

When our president suggests that if Iran wanted somewhere to bomb they could have San Diego and Los Angeles as far as he was concerned, I don’t hear just another of his ugly utterings, I hear treason.

When our Secretary of War schedules streaming the execution of a criminal by firing squad … televising it … I realize how thin the line is between us and barbarity, and that this is a clear step across that line.

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(A colleague of mine once observed that poets are the last truth-tellers. This may not be the case as he was frequently wrong about a lot of things, but I think there is a fleck of truth in this particular statement. I cannot remember how I got to this prose poem by Franny Choi, and I’m not even sure that I understand it, but I liked it at first reading)

The World Keeps Ending, and the World Goes On

By Franny Choi

Before the apocalypse, there was the apocalypse of boats:
boats of prisoners, boats cracking under sky-iron, boats making corpses
bloom like algae on the shore. Before the apocalypse, there was the apocalypse
of the bombed mosque. There was the apocalypse of the taxi driver warped
by flame. There was the apocalypse of the leaving, and the having left—
of my mother unsticking herself from her mother’s grave as the plane
barreled down the runway. Before the apocalypse, there was the apocalypse
of planes. There was the apocalypse of pipelines legislating their way
through sacred water, and the apocalypse of the dogs. Before which was
the apocalypse of the dogs and the hoses. Before which, the apocalypse
of dogs and slave catchers whose faces glowed by lantern-light.
Before the apocalypse, the apocalypse of bees. The apocalypse of  buses.
Border fence apocalypse. Coat hanger apocalypse. Apocalypse in
the textbooks’ selective silences. There was the apocalypse of the settlement
and the soda machine; the apocalypse of the settlement and
the jars of scalps; there was the bedlam of the cannery; the radioactive rain;
the chairless martyr demanding a name. I was born from an apocalypse
and have come to tell you what I know—which is that the apocalypse began
when Columbus praised God and lowered his anchor. It began when a continent
was drawn into cutlets. It began when Kublai Khan told Marco, Begin
at the beginning. By the time the apocalypse began, the world had already
ended. It ended every day for a century or two. It ended, and another ending
world spun in its place. It ended, and we woke up and ordered Greek coffees,
drew the hot liquid through our teeth, as everywhere, the apocalypse rumbled,
the apocalypse remembered, our dear, beloved apocalypse—it drifted
slowly from the trees all around us, so loud we stopped hearing it.

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(All of my ancestors were Norwegian, or so I have been told.)

Sweden and Norway were playing a soccer match. About 20 minutes into the game a train rolled by the field and blew its whistle. The Swedes thought it was half time and left the field. The Norwegians scored 5 minutes later.

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Surely I Jest

I just read the sort of news item that sends my head spinning. Not that it takes that much to produce a spin, even standing up quickly can do it, but here’s the item I was talking about:

“Scientists estimate that we’ve identified only one-tenth of all species on Earth,” said Dr.
Shannon Bennett, chief of science at the California Academy of Sciences, in a statement.

CNN online

Ten per cent! Holy Statistics, Batman, that’s incredible! What in earth have all of those biologists and zoologists been doing with their time all of these years? Sipping endless lattes on too-long coffee breaks? Making out in the janitor’s closet?

But to get back to the story, one of the new identify-ees is a vegetarian piranha which has been named Myloplus sauron after the villain Sauron from Lord of the Rings. To the scientists responsible for bringing it to our attention, the vertical stripe looks like that evil eye in the sky.

Its vegetarian habits are comforting to hear about, and even if it wasn’t, its mouth looks too small to take that much of a bite, really.

For comparison, here is a photo of a meat-eating piranha.

Even I can tell them apart.

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Have You Ever Seen Peaches Growing On A Sweet Potato Vine, by Jake Xerxes Fussell

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A couple of days ago a friend was lamenting the fact that those Disney nature documentaries of decades ago are not more readily available on television. He’s right. They aren’t. Some of them were quite lovely.

It’s not that excellent documentaries are not being made today, and available from several sources, but they are different in tone. There’s a bit more of the horrible in the newer ones. For example, a cheetah not only is shown to be very sleek and very fast but we see it catching its prey and then (we are shown in great detail) what happens afterwards. Much biting and tearing that Disney used to leave out. A more realistic portrayal, to be sure, but lacking the quieter aura of some of the earlier Disney efforts.

[Frank Disclaimer Time: I loved those older films, and grew up watching Walt Disney Presents on Sunday evenings, slurping up everything I saw as gospel.]

On the other hand. Those films were produced at a time when we were more accepting of what was being shown us as True Life Adventures. Some newer revelations have popped up indicating that there might have been an admixture in what was presented, with real stuff being mixed in with … well … fake news.

Looking for an old clip from that series, I ran across this one. Sort of wish I hadn’t found it.

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Robin and I are watching the series One Hundred Years of Solitude on Netflix. It is a film version of the Gabriel Garcia Marquez novel of the same name. I am enjoying it, although there was a magical quality to the novel that hasn’t quite transferred to the screen, at least for me. I love what they did in creating the village of Macondo. It’s all of what I had imagined, and more.

I’ve read the novel thrice, as new things are revealed each time. If you read articles about “How to write a story,” you will frequently find the advice given that you should construct your opening sentence so as to grab the readers and pull them in. If that’s as important as they say it is, I submit that the first sentence of One Hundred Years of Solitude qualifies as a pretty good example:

Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice.

Now there’s a doozy of an opening line. You introduce an important character and a second later you announce his imminent demise. If an author does that, they had better come up with something pretty good as followup. I won’t spoil it for you except to say that Marquez does just that.

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I’ll Fly Away, by Ian Siegal

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We did our first cross-country skiing of the season this past Saturday. Our equipment is aging and wasn’t of the most durable quality in the first place, so we drove the relatively short distance to Black Canyon National Park and tried everything out. Good for another year was the assessment.

I’ve mentioned this before, but there is only a single road that runs along the South Rim of the park, about six miles long. Get to the end and you return the same way you came in. One road, no looping, no branching. The park service maintains the road only as far as the Visitor Center, and then the remainder becomes a four mile long ski trail with outstanding scenery.

I’ve mentioned this before, but there is only a single road that runs along the South Rim of the park, about six miles long. Get to the end and you return the same way you came in. One road, no looping, no branching.

In winter the park service maintains the road only as far as the Visitor Center, and then the remainder becomes a four mile long ski trail with outstanding scenery. The snow wasn’t in great condition Saturday morning, much crustier than we like. Each year these skinny skis seem more treacherous, as if being guided by diabolical forces that are pushing us toward needing orthopedic care. Our vulnerability is especially felt on this road where there are occasional narrow places that have a half-mile deep gorge very near at hand and no guard rails. Don’t want to go on fast snow anywhere near those narrow places … I may ski poorly but I don’t fly well at all.

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16-20, by Jake Xerxes Fussell

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During the recent political campaign I would watch James Carville on YouTube fairly regularly. He was knowledgeable, cranky, and reliably profane. He’s a smart guy, but he called this latest election wrong.

After pondering things for a couple of months, he delivered an editorial to the New York Times, which I thought was pretty good. There exists the possibility that this time he might be correct as well as colorful. The title of the piece was: James Carville: I Was Wrong About the 2024 Election. Here’s Why.

One line of thought especially caught my attention. He says that we need to take our focus off of Cluck and go after the votes of those working folks that we know the Republican Party is going to throw under the bus just as surely as God made those little green apples. Yes, Cluck is a degenerate and yes, he’s a fascist, but he’s a lame duck degenerate fascist. Is that the aroma of opportunity I smell?

This year the Democratic Party leadership must convene and publish a creative, popular and bold economic agenda and proactively take back our economic turf. Go big, go populist, stick to economic progress and force them to oppose what they cannot be for. In unison.

James Carville, NYTimes, January 6

“Force them to oppose what they cannot be for.” I like that. If you ever meet up with a Democrat, point it out to them. They need our help.

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