There is a CNN article which is calling this a “freakishly dry spring” in Colorado. Here in Paradise so far this year we’ve had 1.6 inches, which is less than half of normal, and our “normal” is already on the dry side. We are tentatively watering our brown lawns and hoping for the best. Unless a drastic change occurs I am looking for water restrictions by early summer.
But of course this has nothing to do with climate change, which is a well-known hoax, according to our clodpoll of a leader. He encourages us to use more petroleum products, turn our air conditioners way down until ice forms on the glassware in the kitchen cabinets, and in general behave in a way which all but guarantees that next year will be worse.
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I’ve been reading Tracing Time, a book about the rock art of the Colorado Plateau, written by Craig Childs. While I thought that I knew a little about the subject, it is by now obvious that I am little more than a tabula rasa where such drawings are concerned. The excitement of acquiring new knowledge is in the room every time I pick it up, and that doesn’t happen every day.
All of the books I’ve read by this author are collections of stories, rather than learned recitations. He puts what he wants you to know into some character’s mouth as that person is talking to him over a low fire on a winter campout in the middle of a mountain. And after you are done shivering at the thought of sleeping on bare rock in freezing weather you realize that now you have an answer to a question that only an hour ago you didn’t know enough to ask.
Where we live here in Paradise is on the edge of a treasure trove of such art. The Fort Knox of pictographs and petroglyphs, if you will. Robin and I have explored a few of the closer collections and it only makes us curious about others. On one of our hikes that we’ve taken several times, the turnaround point is a boulder covered with such markings that is right on the trail. Unfortunately its accessibility means that some of the art is stuff like: “Rhonda + Derek.” I’ve made the assumption that such carvings are not ancient and indigenous in origin, but I suppose that there could have been a romantically inclined couple back in the year 1000 with those names, although I strongly doubt it.
One of the recurring images found in these treasuries is that of handprints. The artist dips a hand in the paint and presses it to the stone. Like a signature saying I am here. I am always moved by these. Even more than by the drawings of warriors or mountain goats. I am here.
My answer is Yes, I know you.
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My plea to anyone out there in Washington DC with an ounce of courage and patriotism is to push the damn button. Push it hard right now.
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If it weren’t for the fact that people are dying and the huge amount of physical destruction involved as well as the economic disruption worldwide, the Iran War That Is or Isn’t A War could almost have been written by Gilbert and Sullivan as one of their comic operas. It is being conducted through whims and tweets and asides at press conferences by a draft-dodging coward and a puffed-up religious dimbulb who was once a minor officer in the National Guard. A horrible joke of a war, but a joke nevertheless.
Any member of our armed forces who dies in this conflict is a life that has been wasted. The billions of dollars that have been spent already – thrown away. When you put buffoons in charge this is what you get.
Even if we toss Cluck out tomorrow and are able to put an end to this tragic chapter in American history, there is no overnight getting back our national honor, prestige, or claims to leadership. We have allowed ourselves to become a murderous third-rate country in the eyes of the world. Or perhaps fourth-rate, who knows? Post-Cluck we will have to start at the bottom and work our way up for a generation before anyone can begin to trust us again.
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Each of us
one face in the crowd
One nose pressed
against the window
One body marching
Watching
One witness out of millions
who say Enough!
We place ourselves
Between the helpless
And the oppressors
We are implacable
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You can find much written about the origins and meaning of this beautiful song. But when you listen you will probably find your own message, as I do. And that message may change from one moment to another. Because when you listen the second time you are not the same person as the on the first audition.
There is that very old saying that “No man ever steps in the same river twice.” When I first heard it, I thought yes, of course, the water flows past and changes constantly. Later on I realized that the man changes as well.
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Little Home In The Valley 