Horsepower

On Sunday evening Robin and I attended an event at a local BnB which was sponsored by our local Indivisible chapter. This was a social occasion rather than a strategizing occasion, which was sorely needed by the working members. So good to just have some time to hang out and enjoy one another’s company.

The first half hour consisted of mingling and the next two hours we spent watching a television broadcast of the Rise Up: Sing Out! concert that was taking place in New York City and being viewed all across the USA. There were stirring speeches and stirring songs and a lot of beautiful people saying things we needed to hear. Jane Fonda was there, as was Bette Midler.

Robert De Niro even got up to speak and to give his assessment of what we can answer whenever we hear Trump open his mouth. According to him all we need to say is: Shut the fuck up. For the next minute the audience enjoyed a call and response thing where De Niro would make a statement and we would answer with that same pithy phrase. Clearing out the cobwebs, so to speak.

Robin even won a door prize, so the evening was a total success.

One of the last songs of the evening was The People Have The Power, written and sung by Patti Smith, from her 1988 album. The song was long and loud and brash and was a perfect fit for the evening.

The People Have The Power, by Patti Smith

******

I hope that you can forgive an old Minnesota boy for having completely missed Patti Smith. Singer, songwriter, poet, photographer, author of twenty books. Whew! Right by me. What a waste of space I have been. The case could be made for just putting me to sleep and making an end to the whole sorry thing.

On the other hand, if you recall these words of Jesus imagine what a good day they are having in Heaven right now.

I say unto you that likewise more joy shall be in Heaven over one sinner that repenteth, than over ninety and nine just persons who need no repentance.

Luke 15:7, King James Bible

My first attempt at repentance was to read the Wikipedia biographic entry on Patti Smith, and by the time I was done with even that abbreviated bit of prose I was exhausted. And in awe. She is such a creative person that she makes the gap between her and we ordinary mortals depressingly obvious . When Bob Dylan couldn’t make it to Oslo to pick up his Nobel Prize for poetry, who do you think went in his stead? Yep, it was Patti Smith.

I’d love to see a PET scan of her brain at work, I’ll bet you could light an entire room with the glow.

She is regarded as one of the earliest punk performers, and the album Horses is listed among Rolling Stones’ 100 Greatest Albums. But in my listening this week I found that she has a tender and lyrical side as well. Here’s the lullaby “The Jackson Song” from Dream of Life. It was written for her two-year old son. Prepare to be beguiled.

The Jackson Song, by Patti Smith

***

Lyrics to: The Jackson Song

***

Patti Smith yesterday and today.

******

Coming back from the grocery store I was listening to our local station which is KVNF. It’s the kind of station where the absence of corporate ownership means a lack of the sterility you find generally in music radio. Definitely old school. Local DJs play what they want, and between the bunch of them they cover pretty much all of musical genres except for classical. Today one was playing a version of Bruce Springsteen’s The Ghost of Tom Joad. It was a live performance and was both electrified and rock-ified. Tom Morello sings along with Bruce. Good cover. Enough passion for a multitude.

The Ghost of Tom Joad, by Bruce Springsteen and Tom Morello

******

1984 Revisited

I am watching with great interest the political goings-on regarding a post on Instagram that James Comey had made. In the post he placed a photo of some seashells that formed a number.

The symbol “86/47” is being regarded by the Trump administration as a referring to assassination, and they are accusing Comey of fomenting violence. I am especially interested because my homemade sign says exactly the same thing, and I have now carried it in two rallies.

I had seen 86/47 in a post somewhere, thought it a clever symbol, and copied it for my own use. I frequently copy other people’s work and claim it as my own, so I thought nothing more of it. (I’m not too worried because in the photo above I had given the sign to Robin to hold for me, and thus I have plausible deniability.)

But before I ever went out with that placard in my hand I had checked out the definition of the “86” part of it and found no references to assassination or killings or violence of any sort. It appeared to have been an anonymously originated term without any sinister implications whatsoever.

Eighty-six is slang meaning “to throw out,” “to get rid of,” or “to refuse service to.” It comes from 1930s soda-counter slang meaning that an item was sold out. There is varying anecdotal evidence about why the term eighty-six was used, but the most common theory is that it is rhyming slang for nix.

Merriam-Webster Dictionary

I doubt that the Department of Justice is going to come to Montrose to examine my sign and haul me off to the Grand Inquisitors of the Cluck administration. But in the present era of newspeak in Washington D.C., we really don’t know what to expect, do we? I shudder at the thought of being chained in a dank dungeon while Kristi Noem parades in full tactical gear sputtering things her dog and goat once overheard and then she had to shoot them.

I offer a gallery taken from a Google search for the term 86/47 that I just performed. There were no mentions of assassinations in any of these products being sold. Could it be that it’s just another of Cluck’s diversions, another smoke screen to cover his rampant incompetence? Could it possibly be?

******

Another Brick In The Wall, Pt.1, by Pink Floyd

******

If George Orwell were still alive, and if he got a penny for every time his novel 1984 was referred to in metaphors or political discourse, his fortune would exceed that of Elon Musk, I think. Too bad for George that the novel was published in 1949 and he said his last goodbyes in 1950.

But I will send $0.01 off to the Orwell Foundation instanter because I am going to use it again. The novel casts such a helpful light on our present government (I use the term “government” lightly) that I can’t help myself.

Nineteen Eighty-Four (also published as 1984) is a dystopian novel and cautionary tale by English writer George Orwell. It was published on 8 June 1949 by Secker & Warburg  as Orwell’s ninth and final completed book. Thematically, it centres on the consequences of totalitarianism, mass surveillance, and repressive regimentation of people and behaviours within society. Orwell, a staunch believer in democratic socialism and member of the anti-Stalinist Left, modelled Britain under authoritarian socialism in the novel on the Soviet Union  in the era of Stalinism and on the very similar practices of both censorship and propaganda in Nazi Germany.  More broadly, the novel examines the role of truth and facts within societies and the ways in which they can be manipulated.

Wikipedia: 1984.

Rather than subject you to more of my tedious ranting at this time, I have gathered a gallery of cartoons prompted by the novel with which to assail you.

******

Another Brick In The Wall, Pt.2, by Pink Floyd

******

******

Another Brick In The Wall, Pt.3, by Pink Floyd

******

I found while putting this piece together that George Orwell was the pen name of Eric Arthur Blair. (Why do the British seem to be forever taking pen names, anyway? For myself, I would have been quite happy with Eric Arthur Blair.)

While digging around I found this gem, an interview of Orwell on his deathbed, dating back to 1950. It was chilling to listen to, as he predicted a future that we live in today.

Can I have a double OMG, brothers and sisters?

******

In a sometimes glum season, it helps to occasionally bring out something anthemic and get lost in it. At least for me it does. For today I went back to the Glastonbury Festival in 2014 for Arcade Fire’s performance of “Wake Up.” Nothing intimate or quietly thoughtful here, but loads of showmanship, percussion, color, very costly costuming … a bright bit of rock and roll theater.

The message of the song’s lyrics? To forgive our own past mistakes and be more open to life before we get older and eventually drift away. (Some of us have to hurry, because drifting away is a wee bit closer.)

******