For What It’s Worth

Although celebrating New Year’s Eve quietly without Señor Ethanol anywhere in view rarely gives us those colorful stories to tell, we are content.

What we did do is drive to Delta CO and take a left turn out into the rural, looking for the resident population of sandhill cranes that live there all year. And we found them, in groups ranging from a dozen to fifty individuals, all feeding in picked-over cornfields. If we added them all together I would say that we saw more than five hundred birds in all. At times they were only a few yards from the car as we pulled over for closer looks.

After this satisfying period of bird-watching we dropped into a restaurant in Delta and ordered some Navajo tacos that were … just okay … but which still qualified as solid comfort food. By now it was full dark for the drive back to Montrose, where we watched a couple of television programs until the call of a warm bed could not be ignored.

See, I told you, not colorful at all. But here I am, typing away on New Year’s Day. No hangover, full memory of the preceding evening’s events, and no new amends to make. Life is good.

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I dunno, maybe not everybody gets off on the stories behind the songs like I do, and truth be told, there aren’t a whole lot of tunes whose history even I will pursue. But beginning back in the late 60s I began singing along with For What It’s Worth. It was at a time when every day’s news was filled with tales of protest and fires and marches and shootings and responsive brutality. I listened to the lyrics and took it for an addition to the literature of that time.

Now, it turns out that it was a protest song, but not about the Viet Nam war or the national unrest dealing with civil rights, but something else. Here’s a bit of explanation from Wikipedia:

Stephen Stills was inspired to write the song because of the Sunset Strip curfew riots  in Los Angeles in November 1966, a series of early counterculture-era clashes that took place between police and young people on the Sunset Strip in Hollywood, California, the same year Buffalo Springfield had become the house band at the Whisky A Go Go . Local residents and businesses had become annoyed by how crowds of young people going to clubs and music venues along the Strip had caused late-night traffic congestion. In response, they lobbied Los Angeles County to pass local ordinances stopping loitering, and enforced a strict curfew on the Strip after 10 p.m. The young music fans, however, felt the new laws infringed upon their civil rights. 

Wikipedia: For What It’s Worth

Sooo, civil rights, perhaps, but on a narrower scale. No matter. For me, in my ignorance, its message was easily applied to those larger theaters of unrest.

In my mind I am now applying the lyrics to today’s political situation. And the fit is nearly perfect. A really good song like this doesn’t go out of style but can be recycled in new ways, new places and times. Why is that? Well, child, because we human beings keep making the same mistakes over and over would be my answer.

Here is Buffalo Springfield singing the original version, from 1966.

As you listen, think about the invasions of our cities by Cluck’s armies, about ICE’s depradations being visited upon innocents across this country. Think about a national health department made up of quacks which is promoting unscientific health practices using stuff they just plain made up, stuff that is killing people at home and across the world. Think about … we could go on and on. There’s something happening here for sure, and there is very definitely a man with a gun over there.

Here is a lovely cover version by the Del McCoury Band, from eight years ago.

BTW: just in case you didn’t know the origin f that original group’s name, here is the Buffalo Springfield steam tractor.

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I’ve been doing this thing, this blog, for nearly twenty years. I’ve gone through three software changes during that time, things that I accepted only when there was no choice. That’s my uneasy truce with change … resist as long as I can, then going along with it when the feces is just about to hit the fan.

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Of course, I can do this because what I write is so perishable. If there is meaning in it on a given day, that meaning is for the day alone. A man like Tolstoy writes for the ages, I write for the forenoons. And in twenty years some of what I believed so strongly at the time is in the dustbin today. My body is certainly going the way of the prayer flag, why not my thoughts as well?

At any rate, this blog is mounted on WordPress, which has been kind enough to ask me to change only once. I refused, of course, because there was an out. A back door I could use. I could maintain the legacy theme if I called it “customizing.” Perhaps one day WordPress will message me one morning and tell me that I am no longer worth their trouble and would I please choose one of the other fine themes that they offer? When that moment comes I will move on to the new with what grace I can muster. And some grumbling, spread with a veneer of profanity.

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So now the Soprano family has taken over the territory of the Corleone family. Criminals fighting among each other, while ordinary citizens stand blinking in the searchlights and the bomb flares. Just another day in Cluck’s perverted version of America.

A couple of tunes come to mind on after yesterday’s ugly news.

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