I’ve never been to the Hawaiian Islands. People tell me that it is lovely there, and I believe them. I might visit the islands if they were the Hawaii of 1941, when the novel and film “From Here To Eternity” took place.

At the time that I read the book I was young and very impressionable, and it “imprinted” with me. Later I saw the movie and I became permanently bonded to a time and place. In fact, that film had more than a little influence on my enlisting in the Air Force as a teen. The military life seemed the life for me.
Especially since there was always the off chance that I might meet the real life incarnation of Deborah Kerr’s character in the movie … ay ay ay … that scene … still … after all these years …

Well, that adventure didn’t last very long. I never got to be a pilot and I never got to Hawaii. But I did get to spend several weeks sweating profusely at Lackland AFB in south Texas in August, and came back home resolved to pick up my college career and get serious about it.
So if you look at it in in a certain cockeyed way, “From Here To Eternity” may be the reason that I finished college and med school.
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There is a certain genre of Hawaiian music that I have come to love, called slack-key guitar. And one of the most beautiful musical pieces of any genre I have ever heard comes from this tradition.
Here is the King’s Serenade (‘Imi Au Iā ʻOe), by Keola Beamer.
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While it is true that celebrities are no smarter than anyone else when it comes to politics, and there is no reason to give their opinions any more weight than let’s say, any old un-famous person, there is no reason to give them less, either.
George Clooney is a favorite of mine in the actor department. If he had only done O Brother Where Art Thou, and nothing else, it would have been enough to win me over.
So I gave his op/ed in the Times the same level of scrutiny that I would give yours. The only difference between he and we being that he is closer to the center of the action than most of us. And when he says we’re in a tight spot, I am prone to believe him.
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From The New Yorker

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How often does something turn out exactly the way you’d hoped? Robin and I had planned a several-day getaway to a small campground at Woods Lake, about 1 1/2 hours from home. The heat was rising here in Paradise, and at 9,600 feet, the temperatures promised were 20 degrees cooler, and off we went.
To get there you go through the marijuana capitol of our area, Ridgway CO, continue on for about twenty miles, then turn left to go past Placerville (home of the Yo Mama moving company), until you are almost to the megalopolis of Sawpit CO. You then turn right to drive up the Fall River road, which is 2.5 miles of pleasant blacktop followed by 6.5 miles of equal parts good gravel road, tooth-loosening washboards, bomb craters, and boulder fields.
Where that road finally ends is at Woods Lake. An alpine gem.
We launched our now almost-new kayaks onto the water and the wind did not blow. The sun did not scorch. The insects did not bite. The least movement of the paddle was enough to move the boats on a near-mirror surface. The lake is not a large one, and we were able to circumnavigate it a couple of times before supper on the first afternoon. Sometimes we just floated out there, admiring the mountains around us.
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A handful of photos from Woods Lake.







We paddled through forests of neon-blue damselflies, watched clouds of tiny anonymous summer insects whirling over the water in the golden light of early evening, spent several minutes observing a beaver the size of a panel truck gnaw on an inch-thick branch, saw shorebirds of several different species running back and forth on narrow mudflats.
After all those hours of paddling and hiking we returned home wishing we had servants to fan us and brighten up our lemonades. That’s one of the two things life requires to be perfect and is almost always missing. People whose only aim in life is to make you comfortable and keep you fed.
The other missing part is having a background score for your life. Music that swells when feelings are building. Becomes expansive when you are confronted by beauty. Chills when your ex comes for a weekend with the kids. Weeps at times of misfortune.

No doubt about it. I need someone to write my soundtrack. Maybe this guy, Richard Thompson would do it for me. This dramatic melody from the movie Grizzly Man could just as easily be playing in the background as I spoon yogurt onto my granola in the morning.
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From The New Yorker

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