Tuesday was a day of light snowfalls. Stop … start … stop … start … all day long. It made our mid-day walk special, with those big near-weightless flakes caught up in the rabbitbrush and sagebrush along the way. And the colder air had a snap to it we hadn’t seen much of so far this season. The snow did make it harder to find safe footing, though, covering completely those little patches of ice on the path that were each one of them small threats to a pain-free life. A minefield of sorts for the more fragile of our citizens.
There were very few people in the park that day, and except for Robin and me, each person was connected to at least one dog. Coloradans hate being outdoors without a canine companion. One such person had a pitbull on a leash whose face was awfully fierce-looking, and he pulled the dog several yards off the trail as we passed him. He must have noticed the worried faces of others before us who upon seeing the animal noticed how much of themselves was within easy reach of those teeth.
Whenever I look into a doggy face like that I think back to the movie Stand By Me, and the scene with the junkyard dog, Chopper. The reality is not always as nasty as the mythology would suggest.
The truth is, I have never been bitten by a large dog, while my ankles bear the memory of multiple attacks by the sort of fluffy small creatures where you can’t tell which end is which. Dogs of the dust-mop variety.
Robin and I watched a movie the other night, White Tiger, that was disturbing in many ways. It was a film made in India that dealt with class dynamics involving servants and masters in that country. I won’t go into the plot more than that, as I have no wish to insert spoilers. But on two occasions the main character made the point that the era of the white man was over, and the era of the brown and yellow man was upon us and would soon make Europeans irrelevant.
Caucasians have held sway in so much of the world for so long … when I think about pushing for an end to all the forms of racism, in my own mind the new society that would come from that is always a more benign one, with everyone truly on an equal footing. A brave new world of mutual respect, a band of brothers and sisters once and for all. Waaaayyy too many expectations, I know.
It is possible, though, that we could shoot right past that to a new reality where we simply trade colors, but keep the engines of oppressor and oppressed intact, but now with whites on the bottom. That would be a bad thing for all concerned. No one ultimately ‘wins’ in a master/slave relationship. It poisons the souls on both sides.
One of the ways Mr. Biden cannot please all. At present there are not enough doses of Covid vaccine to treat all Americans that want one. People are complaining: Get us our shots! The lackluster distribution network that he inherited is trying to come up to speed, with spotty success.
At the same time those who take a broader look see that the wealthier nations are buying up the available vaccine supplies at a rate that would make it difficult for poorer nations to find any even if money was not an issue. Money, of course, is an issue. So the cry goes up that once again the poor suffer while the rich nations have the best seat at the table. Ethics and morality and a pandemic and politics and production limitations … what a fervent stew this is! No matter which way Biden looks there’s someone with an angry face and a brick in their hand.
Beyond this set of facts is that world economies, including our own, are tottering along on a duct-taped crutch and looking for at least a sturdy walker to steady themselves. If those economies should fail, who suffers most? The poor nations again.
Perhaps one spin would be that it’s like the situation in an airplane cabin where when the oxygen masks drop down, we are told to put the mask on our own faces first so that we are then capable of helping others. I freely admit that I don’t know the answer. But no worries, friends, because I’m not the president. (If I were to wake up tomorrow and find through some horrible mischance that I was, I would resign before my feet hit the bedroom floor.)
Have you watched the series Peaky Blinders, on Netflix? We’ve finished the available five seasons, and await release of what promises to be the last one. We found that it drew us in very early on. Basically it’s a gangster story, but it is told so very well and photographed soooo beautifully. The ratings posted before each episode warn us that we might see nudity, gore, and smoking. As things move along we see a little of the first item, a good deal of the second, and the only way we could see more smoking was if the characters put cigarettes in their mouths, noses, and ears all at the same time. It was apparently a tobacconist’s paradise in Birmingham of the 1920s.
And, finally, Peaky Blinders just looks amazing. Beautiful production design can only carry something so far if the storytelling and filmmaking lag, but any lulls in the course of Peaky Blinders are more than accounted for by just getting to look at how wonderfully the series has resurrected Birmingham in the 1920s. Images like a woman walking away from the camera, snow drifting around her, or Tommy riding cockily through town atop his horse give the series a slightly ethereal feeling that makes it feel less like historical fiction and more like a particularly involving dream. It’s hypnotic.Vox.com
Although the Reilly family are criminals, and might have been no matter what their prior history was, there is a strong thread running through the series about what serving in World War I did to the men. A very believable and powerful thread.
You know, I wasn’t going to put in this photo from the New York Times “Styles” section this week. But then I thought … what the hell?
I sometimes make fun of the pretentiousness of the world of fashion, and the often outlandish creations that make the news. But this look … I could really get behind this one. And I think that I could carry it off really well.
It’s basically a red-orange hoodie that doesn’t know when to quit, isn’t it? It might be a one size fits all sort of garment, it’s hard to tell exactly. And there would be no worries about inseam lengths here because there isn’t one. Also, the quilted material would be great for packing around furniture on your next transcontinental move.
I don’t think I would keep the huge lapel rose, though. It’s a bit over the top for me. But the hat! It’s a direct throwback to headgear of The Flying Nun, from 1960s television.
Makes me feel guilty for all the bad things I’ve said and thought about the fashion industry in the past. These are serious people.