I thought the latest New Yorker Magazine cover was so arresting that I had to stop and stare at it for quite a while when it arrived.

Its title is “Say Their Names,”. Clicking the link takes you to a media story about the illustration itself.
The same artist is also featured on the cover of Rolling Stone magazine in the July issue. He’s having a good month, wouldn’t you say?

If you’ve a few moments to spare, and Google the artists’ name, Kadir Nelson, you can browse through the many images that come up. Quite a talent. Good stuff.
But I can stop talking now, because here’s the man speaking for himself.
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Do you sometimes feel as I do, that we are suffering a metaphoric death by a thousand cuts? And of course I’m talking about P.Cluck and his traveling circus. Every single day we are assaulted in some way by their words, their actions … their trashing of things we cared about and other worthwhile items that we might not have even known existed before they ended up broken and strewn about the floors at 1600 Pennsylvania Avenue.
When he is finally shown the door, it will take a while just to do repairs. I don’t think that my psyche has an unbruised spot left on it. But it will be a job worth doing and one that will be truly joy-filled after this long dark season.
Can’t wait.
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Alas, New Yorker Magazine has made it harder for me to steal cartoons to embellish this scanty effort of mine. I used to be able to easily search their archives but this week when I looked for that little magnifying glass icon in the “Archives” section, it was gone.
Oh, I can still page through more than fifty thousand images if I so choose, but they are arranged randomly and so far I can’t find any way to filter them. I’ve written to the magazine as an aggrieved larcenist, but have received no reply so far.
Crime does not pay like it used to.
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From The New Yorker

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I don’t know if this news item is the last word on the Christopher McCandless story, but it is a turning point of sorts.
McCandless is the young man who wandered into wilderness Alaska on a personal quest and died there, in an abandoned school bus. His story became the book “Into the Wild,” and a movie of the same name. It was a good tale – personable man of privileged background looking for a place away from consumer America, makes a series of poor choices, becomes very ill and eventually perishes in the wilderness. Dramatic. Romantic.
That old bus had become a touchstone for many other young adults, who traveled far to visit it, even though the way could be difficult and dangerous. Some of those pilgrims died on their trip or had to be rescued.

So this week, to try to put an end to the deaths and injuries, the Alaskan National Guard hoisted the bus below a huge helicopter and took it away. Perhaps we’ll find out where it is later on, when authorities have found a suitable location for it.
End of story?
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After your Words1, Words2, Words3 the other day; I’ve been thinking about why reading (and rereading) “Into the Wild” affects me as it does. Haven’t come up with just one answer that fits.
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I think we share that feeling.It’s what I was awkwardly trying to get at with the word “romantic” up there in the post. Romantic in the “imbued with or dominated by idealism, a desire for adventure, chivalry” sense.
Most of us seem to respond to stories of heroic struggles, whether successful or not.
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Thank you for introducing us to Kadir Nelson. I am moved. And yes, I have read and said their names. I look forward to Sunday Morning. Caroline
On Sat, Jun 20, 2020 at 5:10 AM Little Home In The Valley wrote:
> jono55 posted: ” I thought the latest New Yorker Magazine cover was so > arresting that I had to stop and stare at it for quite a while when it > arrived. Its title is “Say Their Names,”. Clicking the link takes you to a > media story about the illustration itself. T” >
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