I don’t actually remember when I got hooked on Lucinda Williams’ music, but it was a healthy number of years back. Thirty, perhaps more. What caught me then was the recognition that, warts and all, what I was hearing was unfiltered honesty.
This was a woman who for sure smoked too much, maybe drank too much, and perhaps loved too much. What she didn’t do was skip out on life. Like they say, she suited up and showed up.
The first album of hers that I actually purchased was Sweet Old World, in 1993. I hadn’t even begun to really listen to it when I lost my son to suicide. At that point the song Sweet Old World took on a whole new set of meanings for me.
I’ve picked out a few tunes that are representative of her music. But there’s a world of them out there, and if you were to select your own set, it would likely be quite different. Ms. Williams gives us glimpses of life and we take from that generous offering what we see or need at that moment in time.
There are times when I wonder whether I’d have made it this far without music. I used to jokingly say that the thing that was seriously missing from “real life” was a soundtrack. Actually, I would still be saying it except that everyone I know has heard it at least twice.
But think about it. If there was one, you could tell when something sinister was approaching, as in that repetitive phrase in Jaws. Maybe you didn’t know what or from what direction, but you’d have a few precious seconds to prepare for fight or flight. Or those strings would rise up to a heart-melting crescendo, and you’d know that something positively momentous had just happened and maybe you should pay attention to it. Or you’d round a corner and find laid out in front of you a scene so beautiful you choked up trying to come up with the words to describe it … and then sweeping and glorious music made words completely unnecessary.
But there were times when with a little planning you got the musical score you needed, because you provided it.
For instance, let’s say you’re an inhibited, insecure, and slightly backward teenaged boy. Now, there may have been places in America in 1956 where you could have gotten by with saying “Hi, my name is Jon and I’m an inhibited, insecure, and slightly backward boy and I’m pleased to meet you,” but West St. Paul MN wasn’t one of them.
So if you happened to have been born completely without a persona of your very own what you did is make one up. Sometimes on the spot. Often highly flavored by the last song you heard on your car radio before you were called upon to introduce yourself.
- Cool and nonchalant: Topsy, Part Two by Cozy Cole
- Rakish and desirable: Don’t Be Cruel by Elvis Presley
- Mysterious and slightly dangerous: Rumble by Link Wray
[Some of you might wonder why a person would make themselves dependent on a DJs playlist like this, and I’ll tell you. The ability to play recorded music in one’s automobile didn’t come along until the mid-60s, with the coming of 8-track and cassette tapes. I know it will be painful and disorienting, but try to imagine an adolescence without having the ability to bring your tunes along. ]
So you would step from your vehicle with the last chords of Rumble still reverberating in your ear canals and strike a pose that said to one and all: “I know that I’m way short, I don’t shave yet, and I seem socially awkward, but I am really a mob enforcer in disguise and that suspicious bulge in my shirt in the small of my back is just what you thought it was.”
Then you followed up with this highly original but pithy phrase: “Got any beer?”
One thought on “Notes From A Fanboy”
Wow; what a song 💕. Hugs to you my brother.
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